Ross Castle , Lough Leine I will often go to great lengths to exclude buildings and man made structures from my landscape work but everyone now and again they can't be left out. Ross Castle was photographed for my book project PARKLIGHT - Images of Killarney National Park, as it's an iconic part of the built heritage of the park. I didn't want to just photograph the castle though, I wanted to show it within the context of the surrounding landscape and so choose to photograph it from across the lake on a winter's afternoon with the right amount of low light and cloud separating the mountains behind. The little ducks were a bonus !

“Sometimes I do get to places just when God’s ready to have somebody click the shutter.” – Ansel Adams This was one of those moments which was fleeting and I knew would never be repeated.  So being there and witnessing it was wonderful but realising I had to make an image that captured it required my full concentration and lessens the ability to just enjoy it a little. The sun behind me was setting and about to drop below high ridge, putting the valley floor into shadow. It was also dropping into a slim sliver of clear sky which I thought could produce some drama on the mountains opposite.  As it did, this razor like cut of light fell on the base of the mountain with the approaching squalls turning the rest of the sky an ominous dark black. Once again I felt I was realising years of contemplating another artists work,  the painter Tim Goulding, who's Mountain Fires paintings , I've long coveted and admired.  This was my mountain fire and it was a glorious sight.

Last Light, Lough Leine A long exposure of 5 minutes after sunset on Lough Leine, Killarney National Park. During the exposure the water and clouds blur and you only see the final result once the exposure has completed. My favourite part of long exposure work is the time you have during exposures when you can do nothing else but relax, look around and take it all in !

The area known as Lamb’s Head at Caherdaniel is a beautiful and dramatic place to explore. Winter or Summer, the sunsets here can be glorious, but I prefer winter time when the lack of many other visitors gives the place a very special feeling when exploring it.

Ireland’s highest mountain, and it’s most majestic mountain range. Carrauntoohill is nested in the McGillycuddys Reeks and is a hugely popular place for walkers, hikers, and climbers. Coming here mid week in winter, you are more than likely to have the entire place to yourself for most of your time. As always when photographing mountains, I aim to make an image putting the subject in the context of it’s surroundings.

Most definitely one of the best drives you can do anywhere in Ireland. You drive through the heart of the Beara Peninsula, with it's distinctive mountainous landscape all around you as the road winds it's way around crags and passes, emerging to a dramatic view from the top which ever direction you travel in.

This Blood Moon rising on April 15, 2014 is as a result of a partial lunar eclipse, which in other parts of the world was a total eclipse. It is a 30 second exposure which should give an indication on how dark the moon actually was as it rose. It was more like a setting sun that I have seen in the far east and despite the cold, was a very beautiful couple of hours spent up on the Healy Pass watching this and making some images.

Uragh Stone Circle in the Gleninchaquin Valley on the Beara Peninsula most likely predates the great pyramids in Egypt and similar structures are dotted all around the country. The southwest of Ireland has some of the highest concentrations of megalithic sites in Europe and this location with the Gleninchaquin Waterfall in the background is typically spectacularly scenic.

Skellig Moon II The iconic Skellig Islands , off the west coast of Kerry with an April full moon setting in the morning. The once in a lifetime perfect image that took three years and 16 failed attempts to make is by far the most popular image sold in the gallery. This was made just before sunrise in April at 6.13 am as the moon sits just two degress above the horizon. It is the lowest I have witness the moon setting and is coloured yellow as most of the white light is filtered out as it travels through more atmosphere at that elevation. It was still quite dark so a 1 second exposure was required which gives the breaking wave that blurred effect. I had underexposed slightly to ensure the details of the moon were not blown out and used a hard graduated filter over the lens to make sure and balance the exposure. Often dismissed as a 'photoshopped' image.. I haven't grown tired of explaining it to visitors and reliving that wonderful morning again and again !   Skellig Moon II is an open edition available in three sizes.

I have a long held interest in photographing farmland gates and noting the vast range of styles and methods used both today and in years gone by to secure access points to lands. Some are ornate and hark back to days where great pride was taken in owning even a small holding.

One of my favourite trips in this area is to take the small road that runs from Kilgarvan, through the Borlin Valley towards Bantry. At the top of the pass, on remote and rugged bogland sits the ruins of this old cottage which I love to return to and wonder about those who lived here many years ago.

Most definitely one of the best drives you can do anywhere in Ireland. You drive through the heart of the Beara Peninsula, with it's distinctive mountainous landscape all around you as the road winds it's way around crags and passes, emerging to a dramatic view from the top which ever direction you travel in.

A beautiful location but on an overcast day with very little light, you really only have one option and that is for a long exposure. This is a 3 minute exposure of this iconic little jetty giving a lovely sense of stillness and balance.