One of my favourite trips in this area is to take the small road that runs from Kilgarvan, through the Borlin Valley towards Bantry. At the top of the pass, on remote and rugged bogland sits the ruins of this old cottage which I love to return to and wonder about those who lived here many years ago.

The Meeting of the Waters Tucked in behind Dinis Cottage, this wonderful spot is the point where all three lakes of Killarney converge. I had waited a long time to get early morning light on the old weir bridge but soon realised it's always in shade and so had to settle for some dramatic mid shower light on the bank opposite me.

A beautiful location but on an overcast day with very little light, you really only have one option and that is for a long exposure. This is a 3 minute exposure of this iconic little jetty giving a lovely sense of stillness and balance.

I have a long held interest in photographing farmland gates and noting the vast range of styles and methods used both today and in years gone by to secure access points to lands. Some are ornate and hark back to days where great pride was taken in owning even a small holding.

Skellig Moon II The iconic Skellig Islands , off the west coast of Kerry with an April full moon setting in the morning. The once in a lifetime perfect image that took three years and 16 failed attempts to make is by far the most popular image sold in the gallery. This was made just before sunrise in April at 6.13 am as the moon sits just two degress above the horizon. It is the lowest I have witness the moon setting and is coloured yellow as most of the white light is filtered out as it travels through more atmosphere at that elevation. It was still quite dark so a 1 second exposure was required which gives the breaking wave that blurred effect. I had underexposed slightly to ensure the details of the moon were not blown out and used a hard graduated filter over the lens to make sure and balance the exposure. Often dismissed as a 'photoshopped' image.. I haven't grown tired of explaining it to visitors and reliving that wonderful morning again and again !

After a weeks heavy rain and storms I returned to Killarney National Park's Ross Island to find the levels of the lake had risen so much that all the paths were submerged under water, completely altering the landscape. With careful driving and a pair of waders I enjoyed photographing this area and noticed this piece of driftwood placed perfectly in the reflections. The next day the water levels had dropped significantly and the entire scene looked completely different.

Having spent all my childhood summers roaming around barefoot on the dunes of Castlegregory, this is always a very special and poignant place for me to return to. I came here the day after my mother’s funeral to connect to and reflect on happier times in a place we all loved. I had my camera and spent a wonderful day re-exploring, remembering and making new images. It was a glorious, crisp February day and as it drew to a close I walked along the ‘back beach’ and the light, clouds, tides and wind all combined to make a spectacular end to a very special day.

A lone Hawthorn Tree is backlit by the rising sun on a very unique morning in June. I had been camping out on high ground the previous night and unexpectedly had a very cold night on the mountain as a bizarre front of cold air moved down across the country. Once it was light enough to come down I did and sat in my car warming up as the sun began to rise. I noticed that as a result of the cold air, the light was unusually crisp and clear for a summer morning. I lined up a composition with the tree shading the rising sun and marvelled as the light wrapped around it and made an otherwise difficult exposure work perfectly. These trees are often left standing alone for superstitious reasons by farmers , especially near lying boulders, for fear of bringing a curse from the fairies on them !! Lough Brin sits in a beautiful valley at foothills of the McGillycuddys Reeks mountains in Kerry.

An iconic tourist destination and a wonderful place to visit any time of the year. I photographed this scene in winter, during a break in a cycle of storms on a rare still morning which afforded me the perfect reflections in the water to make this composition work perfectly. In winter time the grasses die off and lighten in colour, giving a more interest contrast against the dark rock.

Ross Castle , Lough Leine I will often go to great lengths to exclude buildings and man made structures from my landscape work but everyone now and again they can't be left out. Ross Castle was photographed for my book project PARKLIGHT - Images of Killarney National Park, as it's an iconic part of the built heritage of the park. I didn't want to just photograph the castle though, I wanted to show it within the context of the surrounding landscape and so choose to photograph it from across the lake on a winter's afternoon with the right amount of low light and cloud separating the mountains behind. The little ducks were a bonus !

Derrycunnihy as viewed from the famous Ladie's View in the Killarney National Park. The more famous view is a little off to the right, but I really loved the layers being revealed by the lingering mist and fog here and also the breaking light behind Mangerton mountain.

This Blood Moon rising on April 15, 2014 is as a result of a partial lunar eclipse, which in other parts of the world was a total eclipse. It is a 30 second exposure which should give an indication on how dark the moon actually was as it rose. It was more like a setting sun that I have seen in the far east and despite the cold, was a very beautiful couple of hours spent up on the Healy Pass watching this and making some images.